Amos Paul Kennedy Jr. is an American printer, book artist and papermaker best known for social and political commentary, particularly in printed posters. From an early age, Kennedy was interested in letters and books and studied calligraphy for several years. At the age of 40, Kennedy visited Colonial Williamsburg, a Virginia living history museum, and was mesmerized by an 18th-century print shop and book bindery demonstration. The incident so influenced that he studied printing at a community-based letterpress shop in Chicago and, within a year quit his AT&T systems analyst job, which he had held for nearly two decades, to continue printmaking studies.

Kennedy articulated his fascination with letterpress printing in one interview: “… I believe it was the capability of making multiples. Multiples of text are important to me. They allow for distribution.”

He attended the University of Wisconsin-Madison, studied under legendary book designer Walter Hamady, and earned an MFA in 1997. He later taught graphic design at the Henry Radford Hope School of Fine Arts at Indiana University.

Kitty Maryatt received a grant in 1981 to study fine binding with Hugo Peller at Centro del bel Libro in Ascona while she was getting her MFA at UCLA in graphic design (1983). She has studied with many fine binders over the years. She was Director of the Scripps College Press for thirty years which published sixty books that Kitty made with her students, who wrote the texts, made imagery, hand typeset, printed by letterpress, and hand bound editions of fifty to one hundred copies every semester. She has published and bound her own artist books, most recently Figure of Speech. Her books can be found at the Newberry Library, Stanford University, UCLA, the Getty Research Institute, and Harvard University. Since her retirement in June 2016 she has been working full-time on La Prose du Transsiberien Re-Creation.